Ulery the modern artist |
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Ulery’s early exposure to modern art in California deeply affected him. That effect was first seen in California, and later emerged more fully in Indiana.
Paintings which reflect his vision of abstract and non-objective art are presented here. |
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In Memory of Herman Sachs(1942)
Oil, 22x26
$3000 |
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Fragile Clown(undated)
Oil on canvasboard, 10x14
$1000 |
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Lay of the Land (1958)
Oil on canvasboard, 16x20
$1500 |
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Salute to Karl and Becky was exhibited 1952, John Herron Art Museum, Indianapolis. Professor of Fine Arts, Karl Martz, and his wife, Becky Brown, along with patroness, Onya La Tour, were the only creative citizens to welcome the Ulerys into the Brown County art community. Salute, a mixed-media in oil, crayon and pencil, incorporates abstract and recognizable symbols of the artistic life to honor Karl and Becky. |
Salute to Karl and Becky (1952)
Oil crayon and pencil on Masonite, 18x22
Not for sale |
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Landscape with Bird (1950)
Watercolor and ink on paper, 12x16
$750 |
Landscape with Bird is more futuristic than Daliesque, and as in many of Ulery’s works, the Eye of God and Birds are prominent symbols. Here, the diminished Eye of God does not look down from above but has settled on the horizon. There is no bird in flight even though birds have been personified as being “above man”. The teetering Cross, the waving flag, the white cloud, the changing sky, are all dominant images open to interpretation.
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Germination of Peace Loosed (1944)
Oil, 11x15
$5000 |
Germination of Peace Loosed, featured in Arts and Architecture magazine, was exhibited in the 3rd group show invitational, Los Angeles County Museum, 1944. Reviewer’s comment: “Vincent Ulery recognizes rightly that his painting is for the most part intuitive and knowing that Growth comes from experimentation”. |